Theatre Tackles The Jean Charles deMenezes Killing

This appears it will be considerably better than the ITV ‘docudrama’ which came off like a 24 copy, overwhelmed with a melodramatic score and deference to the establishment. Imagine using the public execution of an innocent man to sell advertising to an action friendly audience demographic, ain’t commercial teevee grand.

Via Justice4Jean

Directed by Tom Mansfield
Cast: Matthew Duggan, Susanna Fiore, Charlotte Flintham, Benjamin Peters

16 June – 4 July
Union Theatre, 204 Union Street, London SE1 0LX
Tues-Sat 7.30pm

Tickets £12 full/£10 concessions
Gala Night Saturday 20 June – call Box Office for info
Box Office 020 7261 9876

“They should know that people are forcing us to take sides. That our paper is susceptible to whichever pressure group shouts the loudest, to the point where it changes facts and stops us doing our jobs.”

 21 July 2005. James Fisher’s news team are struggling to report the day’s events in time to meet their evening deadline. When police marksmen shoot a man dead at Stockwell underground station the next morning, the team are caught between the need to report the truth and a combination of political pressure, professional rivalry, and personal resentment.

 Written after extensive research and interviews with working journalists, Oh Well Never Mind Bye is a daring, compelling and darkly comic political drama exploring the workings of the media and the rise of “churnalism” in the era of 24-hour news, set against the background of the July 2005 terrorist attacks on London and the shooting by police of innocent Brazilian electrician Jean Charles de Menezes.

In the offices of a fictional newspaper, news editor James Fisher is struggling to keep his team on task as they report the failed bombings of July 21st, 2005. Charlotte, his most talented reporter, has been taken off essential duties after a report she sent from the occupied West Bank angered a pro-Israel pressure group. The team’s new addition, George, is beginning to ask awkward questions about the accuracy of the reports coming in off the wire. Only the cynical Fin seems to actually get the job done. When news comes in the next morning of a police shooting at Stockwell underground station, the divisions within the team become even more pronounced as Charlotte seeks to bypass the paper’s pro-security editorial line and report the unpalatable truth.

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